" My Generation " is a song by the British rock band The Who, which became a hit and one of their most recognizable songs. The song was crowned as the 11th largest song by Rolling Stone on Magazine's 500 Biggest and Largest Songs of All Time on the VH1 list of 100 Greatest Songs of Rock & amp. ; Scrolls. It is also part of 500 Rock and Roll of Fame Songs that are Shaped Rock and Roll and inducted into the Grammy Hall of Fame for "historical, artistic and significant" values. In 2009 it was crowned as 37th Greatest Hard Rock Song by VH1.
The song has been said to have "packaged anxiety into adolescence," and has been characterized as "nodding in the counter culture mode".
The song was released as a single on October 29, 1965, reaching No. 2 in the UK, The Who's charting the highest single in their home country and No. 1. 74 in America. "My Generation" also appeared on the debut album of The Who 1965, My Generation ( The Who Sings My Generation in the United States), and in a very long form on their live album Live in Leeds (1970). The Who re-recorded the song for Ready Steady Who! EP in 1966, but it was not included in the EP, and this version was released only in 1995 on a remastered version of Quick One Album . The main difference between this and the original version is that instead of the actual end-to-end feedback hail, the band plays a chaotic rendition of Edward Elgar's "Land of Hope and Glory". In the album the liner recorded the songs credited to Townshend and Elgar.
Video My Generation
Inspiration
Townshend reportedly wrote the song on the train and was said to be inspired by Queen Mother supposedly having Packard Townshend's 1935 hearse pulled out of the way in Belgravia because she was offended by the sight during her daily journey through the neighborhood. Townshend also praised Mose Allison's "Young Man Blues" as an inspiration for the song, saying "Without Mose I will not write 'My Generation'." Townshend told Rolling Stone magazine in 1985 that "'My generation' is very much trying to find a place in society."
In a subsequent interview for Good Morning America, in 1989, the band was discussing a 1989 tour to celebrate Tommy's 20th birthday, and Townshend talked about the famous line â € " I hope I die before I get old. "He said that, for him, when he wrote the lyrics," old "means" very rich. "
Maps My Generation
Composition
Perhaps the most striking element of this song is the lyrics, regarded as one of the most distilled young rebellions in rock history. The track tone itself makes it an ancestor of the recognized punk rock movement. One of the most frequently written and rewritten phrases in rock history is "I hope I die before I get old," famously derided by vocalist Roger Daltrey.
Like most of The Who's previous releases, this song offers a clear influence of American rhythm and blues, the most explicit in the call and response form of its verses. Daltrey will sing the line, and the supporting vocalist, Pete Townshend (low harmony) and John Entwistle (high harmony), will respond with self-restraint "Talkin 'about my generation":
- People are trying to get us d-down (Talkin 'bout my generation)
- Just because we're g-get around (Talkin about my generation) Things they see horribly c-c-cold (Talkin 'about my generation) I hope I die before I get old (Talkin about my generation)
My "Generation" vocal melody is an example of a shout-and-fall capital frame. These calls and responses are reflected in the instrumental break with the solo emphasis passing from Townshend guitar to Entwistle bass and back several times.
Another prominent aspect of "My Generation" is the delivery of Daltrey: an angry and frustrated stutter. Various stories exist for these different delivery reasons. One of them is that this song started as a slow blues figure without stuttering (in the 1970s it was sometimes done that way, but with a stutter, as "My Generation Blues"), but after being inspired by John Lee Hooker "Stutter Blues, "Townshend reworked the song into its present form. Another reason is that it is suggested to Daltrey that he stutters sounds like English mod on speed. It is also proposed, albeit less often, that stuttering is introduced to give skeletal groups to imply curses in the lyrics: "Why not all fff... fade!" However, producer Shel Talmy insists that it is just "one of the fun accidents" that he thinks they should defend. Roger Daltrey also commented that he had not practiced the song before recording, was nervous, and he could not hear his own voice through the monitor. The stuttering came as she tried to put the lyrics to the music as well as she could, and the band decided to work well. The BBC initially refused to play "My Generation" for not wanting to offend those who stutter, but that reversed his decision after the song became more popular.
The song's instrumentation reflects the lyrics: fast and aggressive. Significantly, "My Generation" also featured one of the first bass solos in rock history. It is played by Entwistle on the Fender Jazz Bass, rather than the bass Danelectro he wants to use; after purchasing three Danelectros with rare thin strains that continue to break easily (and not available separately), Entriring frustrates using his Fender hung with nylon string ropes and forced to simplify the solo. Coda this song has a drum from Keith Moon, too, where the song was damaged due to guitar feeds from Townshend's Rickenbacker, instead of fading or ending cleanly on a tonic. There are two parts to the guitar. The basic instrumental track (as reflected in the instrumental version of the My Generation Deluxe edition) is followed by Townshend overdubs including angry feedback on outro. Perhaps taking a hint from The Kinks' "You Really Got Me" (also produced by Shel Talmy), the song modulated from the opening keys G to C via buttons A and B ? . Townshend guitars set a full step for the tape.
The live versions of the song often twist into long jams, lasting for fifteen minutes, as evidenced by the version that appears on Live at Leeds . Live footage from 1969-1970 included music footage from Tommy and part of what would become "Naked Eyes".
The Townshend demo version of the song (along with the "Pinball Wizard" demo) appears on the flexi disk which is included in the original edition of The Who: Maximum R & amp; B by Richard Barnes.
Personnel
- The Who
- Roger Daltrey - main vocal
- Pete Townshend - guitar, backing vocals
- John Entwistle - bass, supporting vocals
- Keith Moon - drums
Diagram
References
Source of the article : Wikipedia
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